It’s telling that when Foo Fighters closed their summer 2017
European tour at Athens’ stunning Odeon of Herodes Atticus on July 10, not a single track from 2014’s Sonic Highways featured amid their 21-song set list. A companion piece to the HBO series of the same name, frontman Dave Grohl’s “love letter to the history of American music”, the album was compromised as a result of the concept attached to its creation, namely that each of its eight tracks would be written and recorded in a different US city, inspired by the history and musical heritage of its birthplace.
But
if Sonic Highways was the sole Foo Fighters
album not represented at the band’s televised Acropolis, Wow! spectacular, it’s
significant too that Dave Grohl elected to include no fewer than five
selections from Concrete And Gold, then
still two months from release. In an age where record company paranoia over
piracy ensures that even the most undistinguished releases are guarded
as if they are freshly excavated ‘lost’ Led Zeppelin
sessions, this displayed a welcome chutzpah: moreover it suggests that Grohl
is preternaturally pleased with what his band, untethered from self-imposed restrictions, have fashioned this time around. As well he
might be.
(from Planet Rock mag)

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