Though it's not often discussed by rock historians, "Section 43" is one
of the high points of early psychedelic music, one of the great '60s San
Francisco psychedelic rock tracks, and one of the finest 1960s rock
instrumentals in general. This multi-sectioned suite was innovative on
several fronts when it first appeared on a 1966 EP: its epic length
(nearly seven minutes), its integration of exotic influences from Asian
music, its ferocious distorted electric guitar, and its assembly of
unusual (for rock) instrumentation in the arrangement. The track begins
with a captivating unaccompanied, ominous bass line, perhaps
unconsciously influenced by the sort of unaccompanied bass line heard
on the Byrds' pioneering psychedelic single "Eight Miles High," released
earlier in 1966. The melody than expands into a middle
eastern-Indian-Asiatic motif, minor-keyed but hypnotic, played by rhythm
guitar, sinister organ, searing wobbling electric guitar, and maracas.
The atmosphere created is that of a dark room with incense burning,
simultaneously threatening and exhilarating in its whiff of forbidden
fruit. It's also a reasonably accurate simulation of the sensations of
an LSD trip, which becomes particularly prevalent when a sustained organ
note dissolves into a lovely drumless cascade of guitars and drones, as
if a portal to an alternate state of blissful consciousness has just
been opened. Then it's back to the motif of the main verse, the organ
taking the lead briefly before an eerie harmonica takes over, tribal
drums rumbling softly in the background. The tempo speeds up and back
down again before the cut veers into an unexpected, almost circus-like
atonal passage. A screeching organ brings the musicians back into the
main body of the song, a stuttering acid-rock guitar adding to the
frenzy. When that's over with, it's back into the drumless blissed-out
psychedelic section, the harmonica adding particularly seductive,
trance-like tones before the performance softly glides to its finish.
"Section 43" first appeared on an EP on the small Rag Baby label in
1966, and was re-recorded for Country Joe & the Fish's first
full-length album for Vanguard, 1967's Electric Music for the Mind and
Body. Although that re-recorded version is good, it's a little inferior
to the first version on the EP, which is more spontaneous and
otherworldly. Unfortunately it's the second version that most Country
Joe & the Fish listeners are familiar with, but actually the
original recording is no longer hard to find if you're curious,
appearing on several CD reissues. (AllMusic)
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