Though Bob Dylan and Paul Simon would eventually forge a
warm, respectful relationship and even tour together, there was an early,
underlying strain between them dating back at least to the night Simon and
Garfunkel played Gerde's Folk City in March 1964.
The word around Columbia Records was that Dylan offended
Simon with loud talk and laughter during Paul and Art's set though it appears
to have been a misunderstanding. Dylan was there, accompanied by Robert
Shelton, the New York Times critic. In his 1986 biography No Direction Home: The
Life And Music Of Bob Dylan, Shelton wrote that he and Dylan had been doing
quite a bit of drinking that night and started giggling over nothing during
Simon and Garfunkel's set. ''We weren't laughing at the performance, but Simon
was furious,' Shelton wrote. Years later, Simon disagreed with the assessment.
Ί wasn't furious,' he said. 'But I was hurt. Here was someone laughing during
my performance - especially someone I admired.'
Yet Simon certainly seemed to be taking a shot at Dylan in a
song that he recorded on the Paul Simon Songbook album that Shelton called a
'vicious burlesque' of Dylan, complete with 'harmonica playing and shouts for 'Albert'
[Grossman, Dylan's manager].'The song, A Simple Desultory Philippic (Or How I
Was Robert McNamara'd Into Submission), namechecked the then-current US
Secretary Of Defence and was clearly a humorous Jab at Dylan's sometimes
scattershot rhymes and his mishmashing of cultural images. Simon even barks
some of the lyrics ά la Dylan, adding to the track's merriment.
Years later, Simon said, not totally convincingly, that he was
mostly channelling Lenny Bruce. Ί was having fun,' he said. Ί thought it would
be funny to use those unusual words, 'desultory*and 'philippic', in a song
title, and I also wanted to sneak In some Lenny Bruce, who was my favourite
comedian. That line, 'How I was Robert McNamara'd into submission/ is pure
Lenny.'
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