Moving Pictures (Mercury, 1981)
The killer–diller. No question. And the benchmark album for Rush. And it sounds as fresh today as when, after five months of often fraught work, the band sat in a playback at Quebec’s Le Studios and declared it was finished.
Side one of the original vinyl featuring Tom Sawyer, Red Barchetta, the instrumental YYZ and Limelight was faultless. Flipping it over, we heard a newly matured Rush – each aged 27 or 28 at the time – rein in the epic The Camera Eye (inspired by John Dos Passos) to 11 exhilarating minutes, terrify us with Witch Hunt, then set our techno pulses racing with Vital Signs.
Rush at the top of their game.
The killer–diller. No question. And the benchmark album for Rush. And it sounds as fresh today as when, after five months of often fraught work, the band sat in a playback at Quebec’s Le Studios and declared it was finished.
Side one of the original vinyl featuring Tom Sawyer, Red Barchetta, the instrumental YYZ and Limelight was faultless. Flipping it over, we heard a newly matured Rush – each aged 27 or 28 at the time – rein in the epic The Camera Eye (inspired by John Dos Passos) to 11 exhilarating minutes, terrify us with Witch Hunt, then set our techno pulses racing with Vital Signs.
Rush at the top of their game.
0 comments:
Post a Comment
Note: Only a member of this blog may post a comment.