In the five years following Matthew Houck's last LP as
Phosphorescent, he's moved city, had children and nearly died of meningitis.
You'd therefore forgive him if he returned with a record that sounded a little
scattered or reflected such turmoil, sonically. Instead, C'est La Vie sparkles with a sense of
self-assuredness that can also be heard in the pristine production work. At
times, the album feels ponderous and reflective; Houck's voice sounding dreamy
and longing. At other moments, as on single "New
Birth In New England", there's a buoyancy that skips along with the
pop-kissed charm of prime-era Paul Simon. Houck settles neatly into this realm
of the classic singer-songwriter, but his palate always seems to be about
pushing into the future as much as kicking around in the past. Such an example
is "Around The Horn", which takes meticulous
songcraft and seamless melody and stretches it out into guitar- chugging
psychedelic rock, almost as if Neu! went Americana.
(Daniel
Dylan Wray)
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