December 03, 2022
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"It's okay to be broken, it's okay to be blue," sings Sam Brown at the start of her first full album since 2007. Brown's vocals were damaged that year by a heartbreaking condition, but, as she sings later in Injured: "I will not hide, don't pity me and sigh."

And that's fair enough: if circumstances mean Brown doesn't have the vocal range that made her UK Top 5 single Stop! one of the 80s' supreme ballads, Number 8 demonstrates singing is about passion and commitment, and not technique.

Not For Anyone and Tribe could have become her familiar smoky jazz, but most of the album is a startling and confident reinvention as Alison Moyet's sterner cousin, while 4 To The Floor is as sharp as Brown's current peer Self Esteem for disco derangement.

Synth-pop suits Brown well for a singer who had enough rockist poise to regularly tour with Pink Floyd. The minimal Another Day allows Sam to bare her fangs in a manner to terrify Nine Inch Nails, whereas the pulsating Marionette resembles a mythical Orbital collaboration.

Made with her brother Pete Brown and long-time associate Danny Schogger, if you know nothing of Brown's backstory Number 8 would be a great artistic left-turn. Don't pity Brown, celebrate what an inspiring album she's made by any standards. 





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